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The 381 Artworks of Tiziano Vecellio Titian and of media Oil and ...

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Tiziano Vecellio (Titian) - Assumption of the Virgin (detail)Assumption of the Virgin (detail)Tiziano Vecellio (Titian)

The detail shows the Virgin Annunciate.In an age that was completely shaped by Christianity, it would have been obvious that the two top panels, showing Mary on the right and an angel on the left, belonged together as an Annunciation. This was also an arrangement found in many other polyptychs. With...

Santa Maria Gloriosa dei Frari (Venice, Italy)
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Tiziano Vecellio (Titian) - Penitent St Mary MagdalenePenitent St Mary MagdaleneTiziano Vecellio (Titian)

Pietro Aretino was a well-known poet of his period. Exiled from Mantua he settled in Venice. He was famous because of his satirical poems.The portrait of Pietro Aretino was sent by the sitter to Florence in 1545 as a gift to Cosimo I. Titian has been kind to Aretino's dissolute, satyr-like features ...

The Hermitage (St. Petersburg, Russia)
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Tiziano Vecellio (Titian) - Assumption of the VirginAssumption of the VirginTiziano Vecellio (Titian)

A Masterpiece of Renaissance Art

The Assumption of the Virgin, also known as 'La Assunta', is a stunning oil painting created by the renowned Venetian artist Titian (Tiziano Vecellio) between 1516 and 1518. This masterpiece is housed in its original location, the Basilica di Sant...

Santa Maria Gloriosa dei Frari (Venice, Italy)
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Tiziano Vecellio (Titian) - Bacchus and Ariadne (detail)Bacchus and Ariadne (detail)Tiziano Vecellio (Titian)

'Titian was neither such a universal scholar as Leonardo, nor such an outstanding personality as Michelangelo, nor such a versatile and attractive man as Raphael. He was principally a painter, but a painter whose handling of paint equalled Michelangelo's mastery of draughtsmanship. This supreme skil...

National Gallery (London, United Kingdom)
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Tiziano Vecellio (Titian) - Portrait of Ranuccio Farnese (detail)Portrait of Ranuccio Farnese (detail)Tiziano Vecellio (Titian)

The engraving shows Titian's altarpiece, destroyed by fire, formerly in Santi Giovanni e Paolo, Venice. The painting, which many of his contemporaries considered to be Titian's finest work, was destroyed on 16 August 1867 by a fire caused by repair work. At its original location there is now a copy ...

National Gallery of Art (Washington, United States)
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